Philip Cutlip

  • Philip Cutlip has garnered consistent critical acclaim for his performances across North America and Europe. Established on both concert and opera stages, he has performed with a distinguished list of conductors that includes Nicholas McGegan, Charles Dutoit, Miguel Harth-Bedoya, Osmo Vänskä, and Donald Runnicles. His appearance as Joseph De Rocher in Heggie’s Dead Man Walking, with Houston Grand Opera, has been released on Virgin Records. His engagements in the 2016-17 season include Don Alfonso in Così fan tutte with Opera Omaha, Sprecher in Die Zauberflöte with Clarion Opera, Méphistophélès in La damnation de Faust with Eugene Symphony, Haydn’s The Creation with Back Bay Chorale, Messiah with Minnesota Orchestra, Carmina Burana with National Philharmonic, Beethoven’s Symphony No. 9 with Portland Symphony Orchestra, and Mozart’s Mass in C minor and Bruckner’s Te Deum with Oratorio Society of New York. Recent engagements include the title role in Don Giovanni with New York’s Venture Opera, the title role in Sweeney Todd with Tri-Cities Opera, the title role in Le nozze di Figaro with Sarasota Opera, Stanley in Previn’s A Streetcar Named Desire with Opera Grand Rapids, and multiple roles in Weill’s The Road of Promise with New York’s Collegiate Chorale. Mr. Cutlip’s opera highlights include the title role in Glass’ Orphée with Glimmerglass Opera and Portland Opera (CD Orange Mountain label), Maurice Bendix in The End of the Affair and Enrico in Lucia di Lammermoor with Seattle Opera, Eisenstein in Die Fledermaus with Minnesota Orchestra, and Zurga in Les pêcheurs de perles with Minnesota Opera.  http://www.barrettartists.com/artist.php?id=pcutlip

  • Roles

  • The Guilty Mother
    (Count)