In 1922, the 23-year-old George Gershwin was already creating a name for himself in the New York music world of Tin Pan Alley. Songsmiths of this milieu were expected to churn out quantities of ditties for any occasion, and especially for the “revue” style of Broadway shows. Before the advent
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Friday, June 14, 2013 By Marion Lignana Rosenberg New York is blessed with several groups that present music and opera in offbeat venues, including Gotham Chamber Opera, Salon/Sanctuary Concerts, operamission, Bargemusic, and a spunky newcomer: On Site Opera, founded in 2012 by director Eric Einhorn. OSO’s maiden offering of Shostakovich’s
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by Melissa Wimbish We’re kicking off Fashion month with a super-fun interview from the cast of On Site Opera’s Blue Monday. The site-specific production will hit Harlem’s Cotton Club in just a few weeks! Accompanied by a full orchestra featuring the Cotton Club All Stars and members of the Harlem Chamber
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BLUE MONDAY IN HARLEM DO YOU KNOW Gershwin’s 1922 jazz opera Blue Monday? If you love Gershwin, you should. Just thirty minutes long at the outside, the piece is often said to be “first piece of symphonic jazz” and a precursor to Gershwin’s later works—Rhapsody in Blue dates from 1924 and Porgy
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Check out BBC Music Magazine’s June event listings, featuring “Blue Monday”!
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ON SITE OPERA IN HARLEM TO PRESENT GERSHWIN’S ‘BLUE MONDAY’ EARLY SYMPHONIC JAZZ WORK PREDATES ‘PORGY AND BESS’ By Rachel Dungan May 24, 2013 On June 18th and 19th, On Site Opera and the Harlem Opera Theater will present performances of George Gershwin’s Blue Monday at the iconic New York
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How do you begin the process of designing costumes for a new production? I start with a lot of research. This includes images, music and movies related to the period of the opera and the type of world the director and myself want the show to inhabit. My visual research
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