June 7, 2014
“Pygmalion” in Gramophone Magazine!
We are honored that Gramophone included Pygmalion in this month’s listings! We hope you’ll join us for Rameau’s masterpiece! Tickets available at: onsiteopera.showclix.com.
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We are honored that Gramophone included Pygmalion in this month’s listings! We hope you’ll join us for Rameau’s masterpiece! Tickets available at: onsiteopera.showclix.com.
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Lost and confused about his feelings for his Statue, Pygmalion prays to Venus for help. The goddess of love sends Cupid to bring the Statue to life…but not before having a little fun first. Soprano Justine Aronson will play L’Amour, the frisky cherub, in this month’s production of Rameau’s Pygmalion.
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Rameau’s Pygmalion SOME OF THE most exciting stage productions in the world today are being presented by smallish opera companies that have the wit, determination, and maneuverability to stage classic works in new ways— allowing audiences to embrace stories and scores that have sometimes faded under the varnish of too
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Tenor Marc Molomot stars in the title role of Pygmalion later this month with On Site Opera. We caught up with Marc before a performance of Carmina Burana with the Pacific Symphony (staged by OSO’s Eric Einhorn) and asked him about his love of Rameau, the challenges of the hautre-contre
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Opera5. See Pygmalion at Madame TussaudsNo jokes about lifeless singing, please.Rameau’s one-act operatic setting of the Pygmalion story is, of course, about a narcissist creating another human being in his own image. What better setting for this tale of doubling than Madame Tussauds, where the wandering company On Site Opera will perform the work among
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At the center of Pygmalion’s obsession is his beloved statue. Soprano Camille Zamora will sing the role of La Statue next month in On Site Opera’s production of Rameau’s Pygmalion. We asked her a few questions as she prepares for rehearsals to begin. OSO: What is your experience with Rameau? Is
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In Pygmalion, Rameau introduces the character of Cephise, Pygmalion’s lover whom he spurns for his beloved statue. Soprano Emalie Savoy will be singing the role of Cephise in On Site Opera’s June production of Pygmalion. We recently caught up with Emalie while she was in rehearsal for Cosi fan tutte
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By Allan Kozinn, May 16, 2014 Opera companies, particularly small experimental ones, have been toying in recent years with immersive performances, in which audiences and performers move through different spaces. Often, these have been new works in English, but for companies interested in reimagining the classic canon, one question regularly
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On Site Opera, which creates immersive, site-specific opera productions, has partnered with Figaro Systems, developer of groundbreaking libretto simultexting technology, to preview a future in which opera is further freed from the opera house. On Thursday, June 19 at Lifestyle-Trimco Showroom in Manhattan, the companies will give a special performance
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By Amanda Angel May 1, 2014 Standing room used to contain the cheapest seats, but more and more often it’s the only option for adventuresome opera fans around the world. In recent weeks one opera, staged amid the normal operations of an urban train station, was a finalist for one
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By Fred Plotkin March 25, 2014 This year is not only the 150th anniversary of the birth of Richard Strauss, about whom I will write at various points throughout the year, but also the 250th anniversary of the death of Jean-Philippe Rameau (1683-1764), one of the most unsung (in every
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In September 2013, OSO Artistic Director Eric Einhorn took part in an Opera America’s panel called “But What I Really Want to Do is Direct.” Watch the complete panel discussion here. Finding support and training can be hard — breaking in is even harder. What skills do you need in
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On Site Opera invites you to Rameau’s Pygmalion this June at two incredible venues! Rameau’s 1748 Pygmalion is widely considered one of his greatest one-acts. The sculptor Pygmalion creates a statue to which he professes his love, and which he asks Venus to bring to life. L’Amour (Cupid) arrives to
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Gershwin Fan Produces Mini Opera at Harlem’s Cotton Club By Patrick Cole Jun 17, 2013 When a teacher at his New Jersey high school loaned Eric Einhorn George Gershwin’s “Blue Monday,” the brief jazz opera became an ear worm. “It was like the skies had opened,” said Einhorn, 32. “I
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New York By John Rockwell | September 2013 When the Met closes shop and the spring rains arrive, little New York opera companies pop up like mushrooms, some delicious, some deadly. Of their recent presentations, the most piquant was a collaboration between the newish ON SITE OPERA and the HARLEM
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