Soprano Jennifer Zetlan is internationally recognized for her artistry and captivating stage presence. She has been seen and heard on opera and concert stages worldwide, as well as recital venues and on Broadway. In the current season, Ms. Zetlan performs at the Brooklyn Academy of Music and the American Museum of Natural History, reprising her role in Matt Aucoin’s Crossing (American Repertory Theatre), creating the title role of Rhoda in John Musto’s Rhoda and the Fossil Hunt (On Site Opera), and reprising her role as Fanny in Ricky Ian Gordon’s Morning Star. In concert, she performs at the De la Cruz collection with IlluminArts Miami, Carmina Burana with the Hudson Valley Philharmonic, in recital in Savannah, GA, and as Xenia in Boris Godunov with the San Francisco Symphony.
Known for her passion for contemporary music, Ms. Zetlan has been featured in the premieres of numerous American operas, including Nico Muhly’s Two Boys (The Metropolitan Opera) and Dark Sisters (Opera Company of Philadelphia and Gotham Chamber Opera), Steven Stucky and Jeremy Denk’s opera The Classical Style (Carnegie Hall and the Ojai Festival), Daron Hagen’s Amelia (Seattle Opera), Ned Rorem’s Our Town (Aspen Music Festival and Juilliard Opera Center; Western US and NYC premieres), Matt Aucoin’s Crossing (American Repertory Theatre), Ricky Ian Gordon’s Morning Star (Cincinnati Opera), Louis Karchin’s Jane Eyre (also recorded for Naxos), and arias from David Diamond’s The Noblest Game (Seattle Symphony). Other contemporary works she has performed include Henry Purcell and Kaija Saariaho’s The Tempest Songbook (Gotham Chamber Opera), György Ligeti’s Requiem (American Symphony Orchestra), Osvaldo Golijov’s 3 Songs for Soprano (Lexington Philharmonic), John Tavener’s Requiem (Sacred Music in a Sacred Space at St. Ignatius Loyola), David Hertzberg’s Nympharum, (Juilliard Orchestra) and Richard Ayres’ In The Alps (Alarm Will Sound), for which her last minute substitution was described as “flawless” by the New York Times.