June 24, 2014
Seen and Heard International Review of “Pygmalion”
The very existence of an opera company with the name “On Site” says much about the direction in which opera may be headed. Emalie Savoy handled the scorned Céphise convincingly. She fares better in this staging than Rameau’s original Céphise: here she wins Pygmalion’s love and La Statue’s return to her pedestal.
