Internationally acclaimed conductor Jorge Parodi has worked extensively in North America, Latin America, Europe, and Asia. Recent credits include Donizetti’s Lucrezia Borgia and Bellini’s I Capuleti e i Montecchi for Buenos Aires Lírica in Argentina; Britten’s The Turn of the Screw for the Castleton Festival in Virginia and The Banff Centre in Canada; Piazzolla’s María de Buenos Aires for The Atlanta Opera and Opera Grand Rapids; and Ravel’s L’enfant et les sortilèges for The Juilliard School at Lincoln Center.
Reviewed as having “the most expressive conducting hands since Stokowski” by the New York Daily News, Argentinean born Jorge Parodi has worked with such companies as the Teatro Colón in Argentina, the Volgograd Opera in Russia, the Encuentros Internacionales de Opera in Mexico, the Tokyo International Vocal Arts Academy in Japan, and the International Vocal Arts Institute in Israel. He has collaborated with such artists as Isabel Leonard, Eglise Gutierrez, Tito Capobianco, Sherrill Milnes, Aprile Millo and Rufus Wainwright and has assisted conductors Lorin Maazel and Julius Rudel, among others.
Maestro Parodi was named Music Director of Opera in Williamsburg (Virginia), where he has conducted Rigoletto, Il trovatore, L’elisir d’amore, Lucia di Lammermoor, La cenerentola and Le nozze di Figaro, among other titles. He is also the Music Director of the Senior Opera Theatre at the Manhattan School of Music, where he has led its productions to critical acclaim, including Schubert’s Die Verschworenen, that the New York Times praised as being “superbly performed,” and the American premieres of Délibes’ Le Roi l’a dit and Paisiello’s Nina.