“Blue Monday” on BBC Radio 4!

Listen to a clip from Blue Monday at The Cotton Club.
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Meet the artist behind Blue Monday: Alyson Cambridge

Watch as star soprano Alyson Cambridge discusses her role of Vi in On Site Opera’s upcoming production of “Blue Monday.” Ms. Cambridge – who joined us between performances as Julie in “Showboat” with Washington National Opera – shares her thoughts the finer points of singing Gershwin, the story of how
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Meet the artist behind Blue Monday: Eric Einhorn

Watch as award-winning stage director Eric Einhorn shares his vision for On Site Opera’s upcoming production of Gershwin’s “Blue Monday.” Mr. Einhorn (OSO’s Artistic Director) discusses the history of Gershwin’s first opera and gives an inside look at producing opera at the historic Cotton Club.
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Meet the artist behind Blue Monday: Alvin Crawford

Watch as bass Alvin Crawford discusses his role of Sam in On Site Opera’s upcoming production of “Blue Monday.” A truly versatile performer, Mr. Crawford has been seen in leading roles from Broadway to the Vienna Opera stage. In this interview, he shares his thoughts on singing Gershwin, and how
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Meet the artist behind Blue Monday: Gregory Hopkins

Watch as conductor Gregory Hopkins discusses On Site Opera and Harlem Opera Theater’s upcoming production of “Blue Monday” at the Cotton Club. In this interview, Maestro Hopkins (HOT’s Artistic Director) also talks about his work as one of Harlem’s musical leaders, and tells us about his career idol!
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Meet the artist behind Blue Monday: Chase Taylor

Chase Taylor, a recent Metropolitan Opera National Council Regional Finalist, plays Joe, Vi’s gambling boyfriend. Chase discusses his role in On Site Opera’s upcoming production of Gershwin’s “Blue Monday”, as well as sings some of Joe’s beautiful aria from the opera.
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Meet the artist behind Blue Monday: Clayton Mathews

Up-and-coming bass-baritone Clayton Mathews plays the club owner Mike in On Site Opera’s production of Gershwin’s “Blue Monday” at the Cotton Club. In this interview, Mr. Mathews talks about making his New York debut, his family history with the Harlem Renaissance, and why he likes to play the bad guy
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