By Eric Einhorn On September 24, I had the pleasure of joining an esteemed panel of colleagues to speak on two panels during Opera America’s Professional Development Workshop for BIPOC Singers. The participants were a wonderful group of mostly emerging artists looking for guidance as they embark on the next
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A THREE NEIGHBORHOOD MUSICAL WALKING TOUR OF NEW YORK CITY EXPLORES BLACK MUSIC HISTORY AND ITS LANDMARKS TO LEARN FROM THE PAST AND RE-FRAME THE PRESENT A Multi-Media Collaboration with Award-Winning Historian, Grammy Nominated Baritone and Innovative Production Team Re-Define the Immersive and Site-Specific Music Experience NEW YORK, February 10,
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PRINT MAGAZINE by Ellen M. Shapiro February 3, 2021 When theaters are dark because of the pandemic, what do you do (if you’re smart)? You send subscribers and classical music buffs an opera in a box, of course. No, three operas—actually song cycles (a group of sequenced tunes): Leoš Janáček’s
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MEDIUM By Tyler Gallagher Jan. 2, 2021 Read the original article here. As a part of our series about “5 Things You Need To Know To Successfully Run a Live Virtual Event”, I had the pleasure of interviewing Eric Einhorn Eric Einhorn is the co-founding General & Artistic Director of
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You can’t physically go to the opera this year, but that doesn’t mean you can’t start the year off with a song. Natalie Pasquarella sat down with Artistic and General Director Eric EInhorn and Tenor Bernard Holcomb who appears in “The Diary of One Who Vanished” and Cristina Maria Castro
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FORWARD By Irene Katz Connelly Dec. 30, 2020 Read the full article here. Eric Einhorn, the artistic director of On Site Opera, initially struggled to imagine how to serve a scattered, homebound audience. For an opera company that stages site-specific operas in unconventional venues — think “Pygmalion” in a wax
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On Site Opera, a New York City group that performs at non-traditional venues, got an unusual request to perform arias for a team of lawyers at a California firm. The numbers will include an aria from Carmen in which the title character tries to negotiate herself out of prison —
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“If we look back at this year, we can all agree that some of the greatest innovation from around the opera world came not from the “big name” companies, but those with more flexibility.” Operawire named “To My Distant Love” and “The Beauty that Still Remains: Diaries in Song” in
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Eric Einhorn, co-founding General & Artistic Director of On Site Opera, joined The Lied Society’s Round Table on December 5, 2020 to discuss The Beauty That Still Remains.
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Read the original article here. SPECTRUM NEWS NY1 BY STEPHANIE SIMON NEW YORK CITY PUBLISHED 8:29 AM ET NOV. 11, 2020 NEW YORK – All the major opera houses like The Met have been dark since the pandemic began and opera companies have been scrambling to put programming online. But some in the
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FROM THE PAGE TO THE VIRTUAL STAGE: ON SITE OPERA PRODUCES FIRST OPERA BY MAIL EXPERIENCE WITH THE BEAUTY THAT STILL REMAINS: DIARIES IN SONG Three Unique Experiences Captured in Digital Recordings and Keepsake Diaries to Immortalized Words of Solace, Heartbreak and Hope NEW YORK, October 7, 2020 – On
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INGENUITY AND INNOVATION HEADLINE ON SITE OPERA’S NINTH SEASON DESPITE CONTINUED COVID CLOSURES From Mail Order Melodies, to an On-Foot Opera Experience, TV, Telephone and more, Music Continues Around the Globe into the New Year NEW YORK, September 17, 2020 – On Site Opera, New York’s pioneering opera company rooted
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ON SITE OPERA ANNOUNCES FORTY ADDITIONAL PERFORMANCES OF TO MY DISTANT LOVE THROUGH AUGUST 23 FOLLOWING 160 SOLD OUT PERFORMANCES A New One-On-One Immersive Opera Experience for a Time of Longing and Isolation NEW YORK, July 8, 2020 – On Site Opera, New York’s pioneering opera company rooted in site-specific
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INCOMING CALL! ON SITE OPERA PRESENTS WORLD’S FIRST TELEPHONE-BASED OPERA, TO MY DISTANT LOVE, JUNE 18-JULY 6 A New One-On-One Immersive Opera Experience for a Time of Longing and Isolation NEW YORK, May 28, 2020 – On Site Opera, New York’s pioneering opera company rooted in site-specific storytelling and
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