ON SITE OPERA PRESENTS THE U.S. PREMIERE OF DARIUS MILHAUD’S THE GUILTY MOTHERAT THE GARAGE, JUNE 20 & 22-24, 2017 OSO partners with the Darius Milhaud Society and the International Contemporary Ensemble (ICE) to celebrate the 125th birthday of Milhaud. The production will mark the completion of OSO’s acclaimed three-year Figaro
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Download the press release HERE. On Site Opera announces new Executive Director Piper Gunnarson Thursday, March 23, 2017 — New York, NY — On Site Opera is excited to announce the appointment of its new Executive Director, Piper Gunnarson. A seasoned nonprofit arts administrator, Piper has extensive experience in theater administration for
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Download the press release HERE. ON SITE OPERA PRESENTS MOZART’S THE SECRET GARDENER AT THE WEST SIDE COMMUNITY GARDEN MAY 11-13, 2017 OSO partners with The Atlanta Opera’s Discoveries series to bring Mozart’s The Secret Gardener (La finta giardiniera) to life in a new site-specific co-production that will mark a bi-city first
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Download the press release for On Site Opera’s 2017 performances: ON SITE OPERA 2017 PERFORMANCES Press release ON SITE OPERA 2017 PERFORMANCES Site-specific productions include Mozart’s The Secret Gardener at the West Side Community Garden (May 11-13), the U.S. premiere of Milhaud’s La mère coupable at The Garage, a Hell’s Kitchen industrial space
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Highlights from On Site Opera’s 2016 production of Argento’s “Miss Havisham’s Wedding Night” and Berlioz’s “La Mort de Cléopâtre” at The Harmonie Club.
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The Crypt Sessions presents a small taste of Gregg Kallor’s new piece based on Edgar Allan Poe’s ‘The Tell-Tale Heart,’ featuring Joshua Roman and Elizabeth Pojanowski, in collaboration with On Site Opera and directed by Sarah Meyers.
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Download “Rhoda and the Fossil Hunt” Press Release: “Rhoda and the Fossil Hunt” Press Release For immediate release October 16, 2016 Apatosaurus, (Brontosaurus) by Charles R. Knight, 1898 American Museum of Natural History ON SITE OPERA TO PRESENT WORLD PREMIERE OF RHODA AND THE FOSSIL HUNT A SITE-SPECIFIC OPERA
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Soprano Leah Partridge is no stranger to an operatic mad scene. This week, in her On Site Opera debut, she adds another crazy character to her repertoire: Miss Havisham, literature’s most famous jilted bride. We chatted with Leah about her approach to operatic madness and what makes Miss Havisham a little
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Mezzo-soprano Blythe Gaissert returns to On Site Opera to portray one of history’s greatest and most enigmatic rulers! We caught up with Blythe to see what she’s been up to since quacking her way into audience’s hearts as Auntie Duck in OSO’s inaugural production of The Tale of the Silly
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Highlights from On Site Opera’s 2016 production of Marcos Portugal’s “The Marriage of Figaro” at 632 on Hudson more information: osopera.org/figaro FIGARO, Jesse Blumberg, baritone SUSANNA, Jeni Houser, soprano MARCELLINA, Margaret Lattimore, mezzo-soprano DON BARTOLO, David Langan, bass-baritone COUNT ALMAVIVA, David Blalock, tenor DON BASILIO, Ryan Kuster, bass-baritone COUNTESS, Camille
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Download “A Double Bill of Monodramas” Press Release: “A Double Bill of Monodramas” Press Release For Immediate Release July 12, 2016 On Site Opera presents A Double Bill of Monodramas at the Harmonie club, September 29-30 Coming Off the Heels of their Highly Acclaimed Production of Marcos Portugal’s The Marriage of
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Please join On Site Opera as we celebrate the opening of our sixth season with our first annual benefit fundraiser in the exquisite grand ballroom at The Harmonie Club. The evening will feature a seated three course dinner interspersed within a double bill of two operatic monodramas: Hector Berlioz’s The
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We first meet Susanna on the morning of her wedding to Figaro. She’s young, in love, and getting ready for the most important day of her life! Unfortunately for Susanna, it’s not going to be smooth sailing, and she’s got a crazy day ahead of her! We talked with soprano
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La pazza giornata o sia il matrimonio di Figaro Introduction In the 21st century we are accustomed to the notion of a repertoire of operatic works drawn from the past, of recognised interest and merit, that have come to constitute a ‘canon’. Were we to go back to 18th-century
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At the center of the Figaro Trilogy is Beaumarchais’ eponymous barber and jack-of-all-trades. Baritone Jesse Blumberg takes up the shears for the second installment of the trilogy: Marcos Portugal’s The Marriage of Figaro. We talked with Jesse about his favorite operatic moments and his craziest musical memories. Jesse Blumberg as Figaro at
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